Tag Archives: painting

New Art from Pamwagg: Upcycled Shoe Polish Tin

This miniature scene from Tuscany was painted on an up-cycled shoe polish tin, with acrylics, and metallic paints. The tin was also lined with velvet cut from a cast off dress I had been saving to use for such things. c 2.5 ” in diameter. (I have really crappy brushes that splay out all the time and with stray hairs, so it is hard to get any details correctly but one of these days I will have the luxury of decent brushes and then watch out!!!)

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Rutland PICU art

These are the latest fractured portraits and artpieces i have done at Rutland Regional Medical Center’s PICU. The portraits are not meant to be recognizably anyone, unless of course,  they are. The set of small oil pastels were just experiments. The last picture is a gouache painting, about 22″ by 36″. The others are about half that size and in colored pencil.

 

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Photos of Vermont Cottage, and of the Artist, Herself

I thought I would post a few pictures of where I have been living these past few weeks, both how it was this past summer and what it looks like now. And me, too. Since most of you likely have no idea what I look like unless you have read DIVIDED MINDS and of course those photos, the most recent in them, was the author photo taken some ten years ago in 2004.

Carriage House Kitchen area summer 2014
Carriage House Kitchen area summer 2014

summer 2014

Dining/arts area of carriage house Summer 2014
Dining/arts area of carriage house Summer 2014

The above photo is the cottage kitchen area and dining/arts area as they were this summer, before I brought all my stuff up here. It was much less cluttered then and lighter! Below photo is the dining and “arts” area where Lydia and I did our artwork and where most of Dr Geuss was made…

The next photo is from the summer, me holding the brown paper beginnings of Dr Geuss (actually this was when Lucy Goosey was rather far along…(trust me! ) Nevertheless if you look hard enough you will see that I am just holding the wings on — I have not yet figured out how to secure them.

Pam with Lucy Goose  (Dr Geuss-to-be)
Pam with Lucy Goose (Dr Geuss-to-be)

As it turned out what I decided to do was to drill a hole through each wing, after Lydia and I painted them, a hole right through a painted dot, then a hole into the body (I think we decided to drill maybe three holes per side about a quarter inch in diameter. ) I sawed chopsticks from supper the night before into little dowel pieces maybe 2 inches long, then I pushed the chopstick dowels into these holes, along with glue, thereby attaching the wings permanently to the body. I thought it was a rather ingenious if not elegant solution to the problem, especially as glue and papier mache solution itself was not going to hold them in the position I wanted.

The only other way I had solved this sort of problem before had been in the out-held arm of Dr John Jumoke. Then I just “smooshed” and actually used Plaster of Paris, which I would not do again. Gypsum (P of P) would just have added weight to the held out wings of the goose, which would not have been good, nor for a sculpture that by its very nature needed to be easy to move.

Anyhow when I was done, I was very pleased when I offered it, through Cyndi my therapist to the Human Services Department in Vermont’s Northeast Kingdom (St Johnsbury) and they were nice enough to accept it.

This was not a given. Hartford’s Children’s Hospital had refused two sculptures on the pretext that they were a “fire hazard” even though for the two days they were on display there apparently they were wildly popular.

Pam with Dr Geuss in NEK Human Services Dept -- Children's Area

Well to finish out this saga, the photo of me with Dr GEuss above is in the children’s department where it started out, but apparently the kids wanted to “ride” it so instead my therapist there who is artistic herself made a lovely table for it, and they put it out in the front reception area for everyone to see. I was thrilled to see this when I came back and first arrived there for an appointment from The Care Bed.

Mt Harmony Farm Carriage House 2014 Summer
Mt Harmony Farm Carriage House 2014 Summer

The building (above) is the carriage house (or cottage) I live in, as it was last summer. The sooty part of the wall is from the pellet stove, which I am using now in the winter with great satisfaction. But even though it was nearly 0°F last night I still prefer to bundle up in clothing than to use a lot of pellets or keep the house too warm and get a headache! So I keep the stove at “1” rarely even a “2” and have not yet even turned on the upstairs electric heat…On the left, behind the bent door, is the “garage” where the farm and snow clearing equipment are kept…

This next photo is one I snapped not at all by accident of the white donkey, who looked to me just like a unicorn peering from behind the trees! I love this picture because it captures the magic of the past summer and why I fell in love with the NEK and Sheffield and this farm and its owners, Marc and Steffi, and VERMONT!!!!

Unicorn Heres loooking at you

I can’t recall if I posted these next few on Wagblog or only on FB but here is the farm after our first snowfall a week ago (actually it was not at all our first at all, only the first big one I was present for). We had a foot of snow at Thanksgiving again and more last night on top of this apparently unnamed “mountain”!

Snow in November at Mt Harmony Farm!
Snow in November at Mt Harmony Farm!
Mt Harmony Sheep in Snow November 2014
Mt Harmony Sheep in Snow November 2014
Farmhouse and sunrise on snow in Vermont 2014
Farmhouse and sunrise on snow in Vermont 2014

Finally a few photos of Wag herself in her new Vermont digs, doing her “thang.”

Pam at table drawing a small sketch before she starts painting

Pam Wagner Nov, 2104

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Pam dressed to the nines and pretending to paint for the camera…In reality I never change out of my grungy gray tee shirt and jeans, and would never paint in such good clothing!

The Artist, dressed to nines and pretending to paint for the camera!
The Artist, dressed to nines and pretending to paint for the camera!
Pam Wagner with new 6" square oil painting based on Don Miguel Ruiz book, THE FIFTH AGREEMENT
Pam Wagner with new 6″ square oil painting based on Don Miguel Ruiz book, THE FIFTH AGREEMENT

Pam displaying results of her oil painting adventures, a picture based on a a very short book that means more to her than almost any other, THE FOUR AGREEMENTS by Don Miguel Ruiz and his newest, written with his son, THE FIFTH AGREEMENT…

Painting is “Sometimes a Dreamer has a New Dream”

In Recliner, reading about artist, Alice Neel
In Recliner, reading about artist, Alice Neel

Above is Pam in recliner in Vermont cottage, reading about one of her favorites artists, Alice Neel…

Pam, drawing in  recliner
Pam, drawing in recl

Drawing in recliner

Cooking up a storm with T=day leftovers, nov 2014
Cooking up a storm with T=day leftovers, nov 2014

(Above) Kitchen area in winter time….Pam W cooking, late at night in November, 2014

You can see that since I came back from the summer it has gotten a lot more crowded….I brought as much as I could pack into a 14 foot truck and gave everything else away. Which was a lot. I donated ALL my furniture to FreeCyclers, including my bed and my recliner. ALL my books went to a teacher at the Cheshire Correctional Institute or their library, except a few precious ones, including the Alice Neel volume. And most of my other items except for art supplies and art work, and cold weather clothing and a few expensive items I knew I would not want to have to purchase anew. But most of my things had been bought at thrift store to begin with and many years ago to boot, so it would have cost more to lug them with me to Vermont than to buy them again, used, once I got settled there.

All the furniture that you see was there when I got here and belongs to the owners, Marc and Steffi. Of all that you see, only the artwork on the walls, and the easel, and the white floor three-bulb lamp are mine…

Frankly I would love to “downsize” even more than this, but do not know how (except for clothing, which is all used and while I like what I have I NEVER wear it)…I have used nearly everything I brought with me, and if I have not, it is only because Marc and Steffi have something here. However, when I go somewhere else, which may NOT be fully furnished, I know I will be glad that I did not toss everything in a fit of pique with “stuff”.

Sorry about this mundane post. I needed to make these photos for my mom, who is experiencing dementia and may not even quite know where I am. I did make taped phone calls that go out to her every night at the same time, telling her that I love her and am moving to Vermont, but I have not been able to contact her “in person” otherwise, since I cannot call her and she is no longer able to do email . So I will write her a letter and enclose these photos. I figured why not also show them to my readers…(and I hope not bore them to tears at the same time!!!

8D

Love,

pam

You Can’t Really Change Your LIfe, After All, Can You?

You Spew Poison into the World
You Spew Poison into the World

 

Of course you can’t change your life. Your “giants go with you wherever you go,” as Ralph Waldo Emerson wrote many many years ago, and it is still sadly true.

 

I left Connecticut, thinking I could escape, at least the hospital torture, but I cannot escape the voices that hate me and the demons that I carry with me, the fact that I burden the world, poison it when I exist in it, and that wherever I go I leave a slime of pollution and hatred..I cannot help that. It is a genetic flaw, no matter what good I try to do, the generosity I practice, the kindnesses I have done and preached, it all goes for naught in the end, when the poison leaches from my marrow and through my skin and permeates the world. People feel it then and run away, screaming…

 

I know this and feel it. and I cannot take it any longer. I have had it. Lord knows I have tried and tried to obviate it, to deny it, to remove the stain or fix it, but it has never worked. I am done. I can’t do it any more. It is over. I cannot deal with the voices and the evil that I am and cause any longer. It is so clear to me that others want this end from me too, because although they talk a good game about help and programs to assist me, they actually refuse to make them available to me, and deliberately– DELIBERATELY —  turn a deaf ear when I overtly say, I NEED HELP NOW…How much more obvious and clear spoken can I be?

I will NOT beg for my life or my skin. No. I do not deserve that. And if not one wants me alive or intact, then there is a reason for it…and I know what it is, as I have stated. So if I get the message that “this is it” today, at my appointment again, that We HAVE NOTHING FOR YOU, that YOU ARE ON YOUR OWN, that “we do not really care what happens”. then it is OVER…I cannot care for myself, the devil, and I know what must be done…

I have done all I can, I really have. Do not try to tell me I haven’t tried for 62 years as bravely and carried on ALONE as I could possibly do it and be. But I cannot do it any longer, I am sorry, But this is it. Either PROVE to me that YOU CARE THAT I EXIST AND DO NOT WANT ME TO DO…whatever.

 

No , in fact YOU cannot do anything, any of you out there. Frankly. This is strictly between me and the folks here tasked with making sure I am safe and it is clear that I have poisoned all of them already, I have used up my quota of caring and assistance and that is that. It’s gone. It’s over. I’m gone. GET LOST. YOU BAD RUBBISH. We have had it with you. You are worthless shit.

 

Goodbye.  I don’t know what will happen to me. But I can’t do this any longer.

New Art: Doctor Threatens Restraints and Shot of Haldol

Doctor Threatens Restraints and Shot of Haldol - Painting in acrylics c. 18 by 27 inches
Doctor Threatens Restraints and Shot of Haldol – Painting in acrylics c. 18 by 27 inches

This is a larger size painting than I am used to doing. I usually draw and I am scared of painting. When I have painted I have usually restricted myself to tiny sizes or just portraits. This is my first attempt at a real crowd scene or any scene at all. (I am tempted to redo the foreground doctor, to make him less cartoonish and more realistic, but for now, I will keep him as originally done. However, I don’t like the illustration quality of this painting, and want to learn how to be more painterly, so to speak!)

New Art: Moth Whimsy – Butterfly Wolf!

Moth Wing Picture -- Made from wings of moths found each morning in Vermont
Moth Wing Picture — Made from wings of moths found each morning in Vermont

 

Transformation into the Vermont Butterwolf!

Butterfly Wolf or BUTTERWOLF!
Butterfly Wolf or BUTTERWOLF! (I was just having a little fun, digitally with a program called art studio but I really did glue a lot of moth wings to a piece of mat board before I fooled with digital pen and paint.)

 

 

 

 

 

 

 

 

 

New Art: Papier Mache Goose and Turtle Painting

Dr Geuss:  Papier Mache Goose  made for the Northeast Kingdom of Vermont's Human Services
Dr Geuss: Life-size Papier Mache Goose made for Vermont Northeast Kingdom’s Human Services

 

Dr Geuss: Papier Mache goose made for Vermont's North East Kingdom's Human Services
Dr Geuss: Papier Mache life-size goose made for Vermont’s North East Kingdom’s Human Services
Sea Turtle in Turquoise and Blues...Water soluble oil pastel  c. 7 inches by 6 inches
Sea Turtle in Turquoise and Blues…Water soluble oil pastel c. 7 inches by 6 inches

AVENGING ANGEL: NEW ART

Avenging Angel in Gouache - Abstract approximately 7 by 8 inches
Avenging Angel in Gouache – Abstract approximately 7 by 8 inches

 

Lots to say about the situation I am in up here in Vermont, where my assistant, the person hired to help me and make sure things go okay turned out to be a common criminal. But I am too tired and worn out by having to deal with the mess left in her wake to write about it. Suffice it to say that she stole my debit/credit card number and racked up multiple charges, was apparently drinking even in the mornings without my knowing it, and driving me at the same time. She had a hand bag full of narcotics not all of them prescribed to her, but even if they had been, what was she doing, taking narcotics and drinking and driving?!

 

Things were even worse than that, but as I said, I am exhausted and cannot go into it all now. Needless to say, she has been fired and is gone, is out of here…But she has left a mess and misery in her wake all around. What a mess maker! And I think she was the one who was stealing from me all the while last winter when I had people staying with me to prevent a hospitalization…Why did  I once trust her implicitly? Where do I find these people and WHY do I trust them at all?

 

I should have known something was wrong when I saw her handbag full of Percocet and Xanax and VIcodin and fentanyl patches etc. It was ridiculous…and then to have her buy a case of beer? But I thought “well, a beer once in a while is harmless.”…I didn’t know she was drinking at breakfast and also while driving…I am such a dimwit!

Curling Ocean Waves in Red Room: Painting in Gouache

 Curling Ocean Wave in Red Room - Painting in Gouache
Curling Ocean Wave in Red Room – Painting in Gouache

 

Not sure what to make of this painting, but I enjoyed doing it…What do you think? It is 8 by 12 inches, approximately, in gouache on Ampersand board (essentially gessoed masonite).

Rocking Away a Tidal Wave of Troubles: a Painting

Rocking Away a TIdal Wave of Troubles - gouache on archival mat board scrap
Rocking Away a Tidal Wave of Troubles – gouache on archival mat board scrap. 

I  was told by Marc and Steffie, with whom I am staying, that the sea or water represents the unconscious in some schools of thought. Which certainly makes sense to me, given how I titled this very small painting. I painted the blackbird in the stormy sky last, and can see that as a sort of link between the world of life and death, like Van Gogh’s black birds in the fields in his final paintings. But also the notion that the rocking chair can calm the stormy waters, indeed the raging tidal wave of waters outside the room, so that they become only waves but not so disturbing inside, seems to me significant. So, two questions for the pychologically or analytically minded: Why is the room red, one, and why is the chair empty? (I am serious. If you have any ideas or suggestions, I would be curious and eager for your and any interpretation. No need, just interested.)

In any event, in my sleeplessness last niight, I panicked, because I “knew” I couldn’t paint. so I put aside my decent ampersand boards, coated this bit of matboard with black to “ruin” it first, then just went to town, painting the first thing that came to mind. The chair was in the living room, but the rest was purely my imagination. If I knew what I was doing, I confess I would have painted the chair last, ON TOP of the  background, but of course, I had no idea what I was doing, so I had to paint it and repaint it as ideas came to me…Hence the messiness! Hope you enjoy!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Red Rum in Red Room (or Why is that Cat Scared of Me?): a painting by Pamwagg

Red Rum In Red Room (or Why Is that Cat Scared of Me?) Gouache on 100% cotton paper Strathmore 500)
Red Rum In Red Room (or Why Is that Cat Scared of Me?) Gouache on 100% cotton paper Strathmore 500

 

Yes I actually managed to paint this picture — in gouache, not oils, true, but I did it, I picked up paints and brushes and from start to finish made a complete painting. This is a big step for me. True, I did the running shoes picture a bit earlier but that was really just a sketch. I have been drawing for so long, and so scared of painting that it feels really BIG that I did this, good or bad a picture though it might be. Sooooo, what’ja think?  (By the way, it is a self-portrait – not flattering but hey…)

Impromptu Starbucks Sketch (Hey TexasTom, If you are brave enough, so can I be…!)

 

15 minutes no longer, and much of it was scrambling to photograph this before I gave it to the person...I heard her friends laughing about "what was that on her back...OH its her hoodie!" but what did I care? I know I can draw, and i only had a few minutes, with all of them squirming around and changing positions...THEy have NO idea how hard it is to draw someone in action!
15 minutes no longer, and much of it was scrambling to photograph this before I gave it to the person…I heard her friends laughing about “what is that on her back…OH its her hoodie!” but what did I care? I know I can draw, and i only had a few minutes, with all of them squirming around and changing positions…They have NO idea how hard it is to draw someone in action!

 

 

 

 

 

 

 

 

 

 

The next one is a work in progress, about four point restraints and abject terror, if I can accomplish what I want to do in my usual pencil painting… SO far so good, but we will see.

 

This will be a picture of four point restraints, or wrist restraints coupled with an expression of abject horror, and more...If I can accomplish it with my usual pencil painting.
This will be a picture of four point restraints, or wrist restraints coupled with an expression of abject horror, and more…If I can accomplish it with my usual pencil painting. Right now, alas, the hands looks a little more like marionette type hands than really shackled though the restraints are drawn exquisitely accurately. 

First Poem in my New Book (unpublished so far)

TO THE READER

Zaftig Reader, engross in her poetry book
Zaftig Reader, engrossed in her poetry book

 

Last line inspired by Helen Vendler

 

who may be sitting as I am

in a green recliner with a cup of tea

staring out through the porch

to a darkened streetlamp outside the diner,

with a book in her lap, mine, I hope

the only one I feel I should have to mention

if I mention a book in a poem I write;

to the reader, the nitpicker, the one

who may be wondering why

on p. 47 there are two ands, one

right after another, and whose fault that is;

and to the reader, who may be tired

after a long ride home on the bus

after dark and a meal not worth mentioning

who picks up my book but finds his eyes

closing before he has opened the cover,

I say: Forgive me

I am only a writer sitting in a green recliner

with a cup of tea, I can’t explain

those two ands or the mysterious

streetlamp or warm the feet of a tired

reader in his bed. I can only put music on

and tell him stories to make movies

turn in his head, to let him wake

with the sudden understanding that poetry

may be all it takes to make a life—

well, my life at any rate, and maybe his,

and maybe the nitpicker’s and yours, too,

staring through the porch to the streetlamp

where what happens so mysteriously is poetry—

and the whole night is wrapped

in the words spoken by two strangers

meeting there, or not spoken, which is poetry too,

and all of us who listen are waiting

for the music of what is to happen.